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TOP 10 Artists
1 DELVAUX Paul
2 MAGRITTE Rene
3 FOLON Jean-Michel
4 DALI Salvador
5 FINI Leonor
6 Man RAY
7 CARZOU Jean
8 BRASILIER Andre
9 ICART Louis
10 DANCHIN Leon
 
Media (1891)
Graphics [1022]
Drawings [27]
Paintings [28]
Art Jewelry [1]
Ceramics [12]
Sculptures [57]
Posters [212]
Miscellaneous [2]
Philately [12]
Art Books [518]

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CADDICK Kathleen
CALDER Alexander
CALONNE Jacques
CANINI Sylviane
CANTIN Kathleen Marie
CANTORE Nicole
CAPPIELLO Leonetto
CARCAN Rene
CARLO Emilio
CARON
CARRE Jean
CARRINGTON Leonora
CARSUZAN Jean-Claude
CARZOU Jean
CASSIGNEUL Jean-Pierre
CASTILLA Juan
CATHELIN Bernard
CAVALLE Salvador
CESAR
CHABRIER Nathalie
CHAGALL Marc
CHARLET Jean-Pierre
CHAROY Bernard
CHEMIAKIN Mihail
CHERET Jules
CHILLIDA Eduardo
CHRISTO
CLAUS Hugo
CLAVE Antoni
CLEREN Jean-Paul
COBBAERT Jan
COCTEAU Jean
COIGNARD James
COLINET Paul
COLLIGNON Georges
COMBAS Robert
CONSTANT
CORNEILLE Guillaume
COSTANTINI Egidio
COSTANTINO Ralph
COURTIN Pierre
COUTAUD Lucien
COX Jan
CUEVAS Jose Luis
CULPEPPER Joseph
Jules CHERET
View this artist's available pieces here.
France
1836 - 1932
Ecole de Paris
CHERET Jules

Jules Cheret is unquestionably the father of the poster. An artist and technician.
In 1869 Jules Chéret printed his first colour poster in France. He was "the father of modern lithography". Cheret brought color lithography to the highest levels of perfection by demonstrating how all the hues of the rainbow could be achieved with three or four colors. He literally created not only a new art form, but an industry as well. The artists of Paris led the way in the great poster movement.
Their designs were influenced, in part, by Japanese woodcuts. This notable group headed by Chéret and including Steinlen, Grasset, Bonnard, Willete, Forain, and Toulose-Lautrec, were decorating the walls of their city with lithographic masterpieces and bringing light and gaiety to a workday world.
The influence of these artists spread internationally, and many of their designs have never been excelled.
His training as a lithographer, superb draftsmanship and an exquisite sense of color enabled him to elevate the poster to new aesthetic levels. By the 1890's, Cheret's posters were the joy of Paris and its billboards were infused with new life. Cheret proved the poster was art and demonstrated that artistic style and commercial value can co-exist and create a new sense of vision. ...

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